How a Burnt Tree Became "The Spirit Tree"

Last year I spent a great deal of time on the trails (Wellington Park reserve) below kunanyi / Mt Wellington. The photographs taken were mainly of the many tree stumps scattered throughout the park caused either by natural environmental weather or by humans with chainsaws. Also, what grabbed my attention was just how many trees that survived the great Hobart bush fires (see video below this page) that still show their scars from that horrific historical time 1967.

The image above is of one of those trees. I saturated the image sightly then blurred the trees out on the right. This was the start of creating, the Spirit Tree.

Then whilst playing in my sandpit/studio before working on the final outcome the four-grid image below is my way of getting into the right frame of mind, a creative exercise process I have been using ever since working on this form/style/theme/motif shall we say. Then most importantly choosing the background music till completion. Most recently was introduced to the musical band Tonbruket. Albums played throughtout this process was, Forevergreens, Dig it to The End, Masters of Fog and Nubium Swimtrip.

And now below finally the end result combining artwork, photography, collage and digital techniques, “The Spirit Tree

In just five hours 62 people would lose their lives, 900 would be injured and 7,000 left homeless. Over half a million acres would be burnt and 1,293 homes destroyed in what is now known as the Black Tuesday fires.

Watch video below, Black Tuesday - 1967 Tasmania Bushfires.

Above are the album covers on the CDs from the band Tonbruket that I played throughout the process creating “The Spirit Tree”. I played them all over and over until I was satisfied with what I wanted to achieve. Should YOU want to hear for yourself this amazing band that inspired me, go to tonbruket.bandcamp.com.

Have to thank Mr Oink here for introducing me to Tonbruket.

From The Album Rough and Rowdy Ways

I was listening to "I Contain Multitudes" a song by American singer-songwriter Bob Dylan, the opening track on his 39th studio album, Rough and Rowdy Ways (2020).

It was this song that inspired me to create "Environmental Multitudes Contained"

Environmental Multitudes Contained

Below lyrics to the song "I Contain Multitudes".

Today and tomorrow, and yesterday, too
The flowers are dyin' like all things do
Follow me close, I'm going to Balian Bali
I'll lose my mind if you don't come with me
I fuss with my hair, and I fight blood feuds
I contain multitudes

Got a tell-tale heart, like Mr. Poe
Got skeletons in the walls of people you know
I'll drink to the truth and the things we said
I'll drink to the man that shares your bed
I paint landscapes, and I paint nudes
I contain multitudes

Red Cadillac and a black mustache
Rings on my fingers that sparkle and flash
Tell me, what's next? What shall we do?
Half my soul, baby, belongs to you
I relic and I frolic with all the young dudes
I contain multitudes

I'm just like Anne Frank, like Indiana Jones
And them British bad boys, The Rolling Stones
I go right to the edge, I go right to the end
I go right where all things lost are made good again

I sing the songs of experience like William Blake
I have no apologies to make
Everything's flowing all at the same time
I live on the boulevard of crime
I drive fast cars, and I eat fast foods
I contain multitudes

Pink petal-pushers, red blue jeans
All the pretty maids, and all the old queens
All the old queens from all my past lives
I carry four pistols and two large knives
I'm a man of contradictions, I'm a man of many moods
I contain multitudes

You greedy old wolf, I'll show you my heart
But not all of it, only the hateful part
I'll sell you down the river, I'll put a price on your head
What more can I tell you? I sleep with life and death in the same bed

Get lost, madame, get up off my knee
Keep your mouth away from me
I'll keep the path open, the path in my mind
I'll see to it that there's no love left behind
I'll play Beethoven's sonatas, and Chopin's preludes
I contain multitudes

Get Drunk Poem by Charles Baudelaire

Below is English version of this poem.

Medium used for this painting: Synthetic polymer and liquid wax on paper.

Size: 73cm x 106cm. Painted on Arches Aquarelle paper, 640 gsm. SOLD

You have to be always drunk. That’s all there is to it—it’s the only way. So as not to feel the horrible burden of time that breaks your back and bends you to the earth, you have to be continually drunk.

But on what? Wine, poetry or virtue, as you wish. But be drunk.

And if sometimes, on the steps of a palace or the green grass of a ditch, in the mournful solitude of your room, you wake again, drunkenness already diminishing or gone, ask the wind, the wave, the star, the bird, the clock, everything that is flying, everything that is groaning, everything that is rolling, everything that is singing, everything that is speaking…ask what time it is and wind, wave, star, bird, clock will answer you: “It is time to be drunk! So as not to be the martyred slaves of time, be drunk, be continually drunk! On wine, on poetry or on virtue as you wish.”

Charles Baudelaire, “Be Drunk”, From Modern Poets of France: A Bilingual Anthology

NAIDOC Week 2021

NAIDOC Week 2021 will be held from Sunday 4 July to Sunday 11 July. This year’s theme – Heal Country!

Lets begin with, history, truth telling, and the importance of the Uluru statement.

ULURU STATEMENT FROM THE HEART

We, gathered at the 2017 National Constitutional Convention, coming from all points of the southern sky, make this statement from the heart: Our Aboriginal and Torres Strait Islander tribes were the first sovereign Nations of the Australian continent and its adjacent islands, and possessed it under our own laws and customs. This our ancestors did, according to the reckoning of our culture, from the Creation, according to the common law from ‘time immemorial’, and according to science more than 60,000 years ago. This sovereignty is a spiritual notion: the ancestral tie between the land, or ‘mother nature’, and the Aboriginal and Torres Strait Islander peoples who were born therefrom, remain attached thereto, and must one day return thither to be united with our ancestors. This link is the basis of the ownership of the soil, or better, of sovereignty. It has never been ceded or extinguished, and co-exists with the sovereignty of the Crown. How could it be otherwise? That peoples possessed a land for sixty millennia and this sacred link disappears from world history in merely the last two hundred years? With substantive constitutional change and structural reform, we believe this ancient sovereignty can shine through as a fuller expression of Australia’s nationhood. Proportionally, we are the most incarcerated people on the planet. We are not an innately criminal people. Our children are aliened from their families at unprecedented rates. This cannot be because we have no love for them. And our youth languish in detention in obscene numbers. They should be our hope for the future. These dimensions of our crisis tell plainly the structural nature of our problem. This is the torment of our powerlessness. We seek constitutional reforms to empower our people and take a rightful place in our own country. When we have power over our destiny our children will flourish. They will walk in two worlds and their culture will be a gift to their country. We call for the establishment of a First Nations Voice enshrined in the Constitution. Makarrata is the culmination of our agenda: the coming together after a struggle. It captures our aspirations for a fair and truthful relationship with the people of Australia and a better future for our children based on justice and self-determination. We seek a Makarrata Commission to supervise a process of agreement-making between governments and First Nations and truth-telling about our history. In 1967 we were counted, in 2017 we seek to be heard. We leave base camp and start our trek across this vast country. We invite you to walk with us in a movement of the Australian people for a better future.

NAIDOC Week 2021 - Digital Artwork by SG

NAIDOC Week 2021 - Digital Artwork by SG

What Is to Be Done

Found this quote below in the book, “What Is to Be Done” - by Barry Jones, Political Engagement and Saving the Planet.

Man is but a reed, the feeblest in nature, but he is a thinking reed. There is no need for the whole universe to take up arms to crush him. A vapor or a drop of water is enough to kill him. But even if the universe were to crush him, man would still be nobler than his killer, for he knows that he is dying and that the universe has the advantage over him. The universe knows nothing of this.

Thus all our dignity consists in thought. It is on thought that we must depend for our recovery, not on space or time, which we could never fill. Let us then strive to think well; that is the basic principle of morality. Blaise Pascal, "Pensées (Thoughts) - a collection of fragments written by the French 17th-century philosopher and mathematician.

This must read book is a collection of insightful articles from Barry Jones. Jones sees climate change as the greatest problem of our time, especially because political leaders are incapable of dealing with complex, long-term issues of such magnitude.

What Is to Be Done

BRAIN SCRATCHES - Drawings From Sketch Books

Some drawings maybe slightly modified by way of digital software.

There’s nothing quite as exciting as making the invisible, visible.

Taking a line for a walk is what I have done literally for many years.

Brain Scratch #12 - Felt tip pen drawing on handmade paper.

Brain Scratch #12 - Felt tip pen drawing on handmade paper.

#12 drawing above from sketchbook. Idea for large painting was going to be a diptych on sacred places, where rituals and festivals are performed, often in groves, caves, or mountains. Painting was going to be titled, Utaki #1 and #2. At the moment filed in a corner of my brain due to studio currently set up for smaller works. This is how ideas come and go. "you never know what might eventuate" or not. That’s life in the studio.

"People ask me, "Don't you ever run out of ideas?" Well, in the first place, I don't use ideas. Every time I have an idea, it's too limiting and usually turns out to be a disappointment. But I haven't run out of curiosity." - Robert Rauschenberg

Brain-Scratch-09-drawing-from-sketch-book_808x502.jpg

Brain Scratch #09 - used black felt tip pen, then converted the actual drawing into a negative.

This is just one of many drawings from the Yin and Yang series.

brain-scratch-drawing-digital_750x683.jpg

Here the above image started off from a sketch book, then finished off with PhotoScape (free software tool) and ACDSee.

Brain Scratch #10 - Pencil drawing and felt tip pen.

Brain Scratch #10 - Pencil drawing and felt tip pen.

Brain Scratch #11 - Pencil drawing and felt tip pen.

Brain Scratch #11 - Pencil drawing and felt tip pen.

“I find purpose, motivation then my soul, in forests” - SG

Brain Scratch #08 - Pencil drawing and felt tip pen.

Brain Scratch #08 - Pencil drawing and felt tip pen.

Brain Scratch #13 - graphite pencil drawing.

Brain Scratch #13 - graphite pencil drawing.

Quick sketch from one of many trail paths under kunanyi / Mt Wellington.

“And into the forest I go to lose my mind and find my soul.” - John Muir

The Opal Hunter #1

Surfaced late today from diving into the sandpit and came up with…. Opal Hunter. In my younger days I was known to be adventurous and at times a loner.

One thing I’m glad for is that I didn’t pursue joining an opal mining community, as my favorite stone is, yep…you guessed it, opals. I may never have returned to where I am now, as am certain I would have succumbed to the opal bug. So below is my first attempt at creating an image titled “The Opal Hunter #1”.

according to Bedouin folklore, opals fall from the sky during thunderstorms and get their marvelous color from lightning trapped within them.

RAT KANGAROO - The Downfall

Melbourne, Australian based punk-fusion trio.

Come hang with the Freaks In The Drain and gape with them into the Crack O Doom, then mourn the tragic fate of King Kong and despair at the brutal savagery of The Downfall. Source

Rat Kangaroo is Mark Tallon (Voice), Chip Wardale (Bass, Voice), and my brother Andrew Garton (Keyboards, Electronics, Guitar).

Experience industrial jazz, punk fusion, yes even pulsating psychedelic rock.

So, strap yourself in, hang onto your hats as art and music collide.

Filmed and produced during Melbourne’s COVID-19 pandemic lock down, 2020.

Koala photo by Pascal Mauerhofer - Stories from the dark side of life.

Koala photo by Pascal Mauerhofer - Stories from the dark side of life.

Check out and purchase the 4 track album here >>> Rat Kangaroo - Bandcamp

Also keep up-to date on RK’s Facebook here. And YouTube.

In these crazy times support your artists.

Remember

Music Fills The Void.

and

Art Can’t Hurt You