COMES THE CHARMING EVENING

I have read many versions of this poem “Comes The Charming Evening” by French poet Charles Baudelaire from his book of poems titled Flowers of Evil. Not hundred percent sure that I chose the right interpretation here as it was difficult picking my favorite version.

Medium used for this painting: Synthetic polymer and liquid wax on paper.

Size: 73cm x 106cm. Painted on Arches Aquarelle paper, 640 gsm. SOLD

“Comes The Charming Evening” - SOLD

Below, English and French version of this poem.

Evening Twilight

Now is the graceful evening, friend of the criminal;
Now it comes like an accomplice, stealthily; the sky
Closes slowly like a gigantic bedroom,
And Man, impatient, changes to wild beast.

O evening, lovable evening-time, longed for by him
Whose arms can truthfully say: Today
We have worked! — It is evening that lightens
Spirits consumed by a fierce sorrow,
The stubborn savant whose forehead grows heavy,
And the bent laborer gaining again his bed.

Meanwhile unhealthy demons heavily awake,
Like business men, in the atmosphere,
And fly and strike the shutters and the awning.
Across those lights the wind tortures
Prostitution is ignited in the streets;
Like an ant-hill she opens her escapes,
Spawning all over a secret path,
Like an enemy's sudden attack;
She stirs on the breast of the city of dung
Like a worm that steals his meals from Man.
Here and there one hears kitchens hissing,
The screaming of theaters and orchestras roaring;
The plain tables, where gambling throws its pleasures,
Fill up with bawds and cheats, accomplices,
And thieves, who know no truce nor grace,
Soon go to get to work, they also,
Depart to force gently safes and doors
For a few days' living and to clothe their mistresses.

Reflect, O my soul, in this most solemn time,
And close your ears to this roar.
It is the hour when the sorrows of the ill are sharpened.
Dark Night grips them by the throat; they fulfill

Their fate and move into the common whirlpool;
The hospitals are full of their sighing. — More than one
Will no more come back to seek the perfumed soup,
Beside the fire, at night, by a beloved soul.

Still most, most of them have never known
Home's sweetness nor have they really lived.

— Geoffrey Wagner, Selected Poems of Charles Baudelaire (NY: Grove Press, 1974)

Le Crépuscule du soir

Voici le soir charmant, ami du criminel;
II vient comme un complice, à pas de loup; le ciel
Se ferme lentement comme une grande alcôve,
Et l'homme impatient se change en bête fauve.

Ô soir, aimable soir, désiré par celui
Dont les bras, sans mentir, peuvent dire: Aujourd'hui
Nous avons travaillé! — C'est le soir qui soulage
Les esprits que dévore une douleur sauvage,
Le savant obstiné dont le front s'alourdit,
Et l'ouvrier courbé qui regagne son lit.
Cependant des démons malsains dans l'atmosphère
S'éveillent lourdement, comme des gens d'affaire,
Et cognent en volant les volets et l'auvent.
À travers les lueurs que tourmente le vent
La Prostitution s'allume dans les rues;
Comme une fourmilière elle ouvre ses issues;
Partout elle se fraye un occulte chemin,
Ainsi que l'ennemi qui tente un coup de main;
Elle remue au sein de la cité de fange
Comme un ver qui dérobe à l'Homme ce qu'il mange.
On entend çà et là les cuisines siffler,
Les théâtres glapir, les orchestres ronfler;
Les tables d'hôte, dont le jeu fait les délices,
S'emplissent de catins et d'escrocs, leurs complices,
Et les voleurs, qui n'ont ni trêve ni merci,
Vont bientôt commencer leur travail, eux aussi,
Et forcer doucement les portes et les caisses
Pour vivre quelques jours et vêtir leurs maîtresses.

Recueille-toi, mon âme, en ce grave moment,
Et ferme ton oreille à ce rugissement.
C'est l'heure où les douleurs des malades s'aigrissent!
La sombre Nuit les prend à la gorge; ils finissent
Leur destinée et vont vers le gouffre commun;
L'hôpital se remplit de leurs soupirs. — Plus d'un
Ne viendra plus chercher la soupe parfumée,
Au coin du feu, le soir, auprès d'une âme aimée.

Encore la plupart n'ont-ils jamais connu
La douceur du foyer et n'ont jamais vécu!

Charles Baudelaire

The Opal Hunter #1

Surfaced late today from diving into the sandpit and came up with…. “The Opal Hunter”.

In my younger days I was known to be adventurous and at times a bit of a loner.

One thing I’m glad for is that I didn’t pursue joining an opal mining community.

My favorite stone is…, yep…you guessed it, opals. I may never have returned to where I am now.

Am certain I would have succumbed to the opal bug.

So, below is my first attempt at creating an artwork titled “The Opal Hunter #1”.

According to Bedouin folklore, opals fall from the sky during thunderstorms and get their marvelous color from lightning trapped within them.

The Opal Hunter #1

"To think that you were the first person ever in the world to lay eyes on such a beautiful thing, that's been there for a 140 million years, is just staggering, and to be the one that digs it out and gets to keep it is just fantastic.

Source: Coober Pedy Opal Mining. As one miner puts it “opal doesn’t follow rules, opal is where it wants to be”.

Australia’s last generation of opal miners? "When you're out in this dark tunnel, digging away with just a little light, a pick and shovel, and you unearth something that is extremely valuable in opal sense, but also once was a living creature, that was the best euphoria of feeling that you could ever imagine."

In Search of Piet the Minimalist

As the title implies I’m in search of my minimalism take on Piet Mondrian’s art. Piet is known for being one of the pioneers of 20th-century abstract art, as he changed his artistic direction from figurative painting to an increasingly abstract style, until he reached a point where his artistic vocabulary was reduced to simple geometric elements.

Should add that my exploration in finding my inner minimalism in search of Piet is very much a playful tongue in cheek investigation. Having fun in the sandpit via colours, shapes and lines. The three images below are my first attempt in digital art.

In Search of Piet the Minimalist #1

In Search of Piet the Minimalist #1

Quote by Piet Mondrian “To approach the spiritual in art, one will make as little use as possible of reality, because reality is opposed to the spiritual”.

In Search of Piet the Minimalist #2

In Search of Piet the Minimalist #3

The truly modern artist is aware of abstraction in an emotion of beauty. - Piet Mondrian

Source of above video, YouTube: https://youtu.be/1x8m-7N-Kjo

Will he find Piet? Does it really matter? I’m hungry.