It Just Is #1 - First of The Series

With the help of music by Swiss pianist, composer, bandleader, record producer and author Nik Bärtsch, this triptych is the first of a series simply titled: “It Just Is #1”.

It’s an ongoing theme that currently has my full attention in the sandpit/studio. Having said that, this piece will be the only one depicted as a triptych. Below work being the first, the second completed artwork will be titled… “It #2”, then followed by “It #3”, and so on. All will be in tandem with Bärtsch’s music.

“It Just Is #1” - Triptych

DETAIL of “It Just Is #1”. - Triptych - (right side end canvas)

DETAIL of “It Just Is #1”. - Triptych - (left side end canvas)

DETAIL of “It Just Is #1”. - Triptych - (center canvas)

DETAIL of “It Just Is #1”. - Triptych

DETAIL of “It Just Is #1”. - Triptych

Doodles- Drawings-Sketches | BRAIN SCRATCHES

Where do they come from? What do they mean? Answer: “I have now idea”.

Brain scratch/doodle/sketch/drawing - graphite and black pen.

It was in Canada sometime in 1999 that I was working for a large company that allowed me to have my own office space that the brain scratches made their first appearance. My boss, knowing that I was an artist gave permission for me to bring my sketch books, pens, pencils and eventually, coloured felt tip pens into my workspace. It was when not on a phone calls; I’d quickly start scratching away. At the end of each day, I was stunned at the results that fell before me. All I guess came about trusting hand and eyes. Credit also should be given to the quote by Paul Klee, “take a line for a walk”, which when I first read it in one of Klee’s manifestos, I’ve never forgotten.

Taking a line for a walk is what I have done literally for many years.

Some drawings maybe slightly modified by way of digital software.

There’s nothing quite as exciting as making the invisible, visible.

The above drawing is from the Day Dreams series. Yes, also created in the same office environment using coloured felt tip pens.

DAY DREAMS

These drawings have been separated in this blog from my Brain Scratches because they where created under different circumstances.

All were drawn in Canada and in an office situation where I was allowed to draw between phone calls. I was given a separate office which gave me privacy, set up my table with drawing tools whilst day dreaming how to get out of here.

Here I also spent time studying the Haida and Inuit art and artists. When I finally escaped from this office environment I was able with my partner run our own gallery in Kimberley B.C.. to exhibit indigenous artworks, carvings from the Northwest Coast as well as artists of the Arctic.

All drawings below have been drawn intuitively, doodles if you like, and the actual process was not knowing it’s outcome. So do not expect perfection. Then why show them? I’m a believer that one should see the thought process of an artists work, warts and all. Except for alcohol consumption and working in ones underpants.

Day Dreams #9a - all drawn intuitively.

Death of an Artist

If you made it here all at the bottom, congratulations… you deserve some head poppin’, foot tapping’ music. You’re gonna love this. If not, then check your pulse.

In The Dead South's website, they have been described as “Mumford and Sons' evil twins.” The music had a distinct Texan or otherwise Southern flair, even though the band is from Saskatchewan, Canada.

Above Video Source: YouTube - https://youtu.be/B9FzVhw8_bY

Day After Returning from Weeks in Clinic 2003

After many years, finally brave enough to share this powerful (in my opinion) artwork “The Abyss” depicting what it feels like to be suffering with Bipolar, Anxiety and PTSD. I created this piece the day after weeks in St Helens clinic (now closed) it took approximately two weeks to complete using acrylic, pastel, inks, collage and some digital intervention. Why has it been so long that I’ve never shared this part of my life. Simply, the answer is easy… stigma. Yes, it still exists today. It’s affected friendships and even, dare I add, career. If this image can help others who suffer with some form of mental disorder to know that they are not alone in this, please know that things can get better. Do not battle this alone, get help. There are many groups/organizations that can help and I’m not ashamed to admit I still get help, every fortnight, from the wonderful mental health unit here in Hobart, Tasmania (thanks Dean). And also, a huge thanks to my partner Edith for putting up with this rock n’ roll journey. I wouldn’t have survived it without you.

The Abyss

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Gotta Love Pencils and Girlie Grub

I have always loved pencils. Addicted more to the point. Then my other creative sister Annette White surprises me with her illustrated pencil book with attitude, wisdom and just plain fun. Yes, wrote and illustrated this little beauty.

Annette also is the creator of her Girlie Grub series. These books are meant to be read to small children by adults (also to be enjoyed by adults, the young at heart). It tells the story of Girlie, a curious young grub, and her Grub family.

Cover of Girlie Grub and the Family - Book #2

Book 1: Girlie Grub Goes to Bali.

Book 2: Girlie Grub and the Grub Family go to Australia.

Book 3: Girlie Grub Goes to New Zealand, and 4 &5.

Check out Annette’s website GirlieGrub.com to see all books available and some neat merchandise.

Let me indulge myself here and introduce you to my other creative siblings, Grace Garton and Andrew Garton.

That’s one weird family. All brains filled with stuff. How do they do it? NOW, feed me Pleeeease.

Tasmanian Artist Grace Garton

Artisan Grace Garton specializes in soft-sculpture art-dolls, mixed media paintings, watercolor, collage and oh, she's my multi-talented sister. Below is just a small example of her work. Also, the first three imaged are artworks that were featured at the Soggy Brolly, her first solo exhibition on the West Coast of Tasmania, titled: Chapter 1, Not all Roses and Berries. This exhibition showed off her skill investigating a wonderful series of paper collage, paintings and sculptural forms of whimsical birds.

“Black Cockatoos Over Hollywood Street” - SOLD

“Trees Of Rosebery”

Sculptural Forms of Whimsical Birds - Shy Pink Robins, Dove, Little Blue Wren, Miss Gold Finch and Miss Silver Eye.

Riding The Fox's Tail - SOLD

“Twins” - “Dumb Head” - “Oscar with Cat” and “Golden Hare”

Seven Ravens - NFS

“Windy Day” mixed media original artwork.

Grace’s artworks are very sensitive and is infused with a sensibility towards nostalgia. Simply she’s an emotive, storyteller, even though melancholy exists one senses her seeking for beauty that exists in everyday life. Life is fragile, precious and to be enjoyed.

Grace has been represented by >> Despard Gallery << since 2018.

And Grace’s website: Grace Garton.com and her store >> HERE

Sheeesh, the Garton clan are quite a talented bunch.

NOW, where’s my treats you promised?

Antique Trucks - WILLOW COURT, NEW NORFOLK TASMANIA

Finding wonderful abstractions on this day at Willow Court with my new lens filled me with joy. Yes, rust and decay, antique trucks inspired me.

Colours, forms/shapes lines, negative and positive spaces caught my eyes that just had to be captured.

Will have to return to this amazing visual place, as I only scaped the surface and used two camera lenses the, Fujinon Aspherical 30mm f2 and Fujinon 50mm f2 on a Fujifilm X-T4 camera.

Should you ever wish to see these vintage trucks, cars, buses… see them all and more at the Willow Court Antique Centre.

“I have always looked upon decay as being just as wonderful and rich an expression of life as growth”. - Henry Miller

“All things that have form eventually do decay”.

“In a decaying society, art, if it is truthful, must also reflect decay. And unless it wants to break faith with its social function, art must show the world as changeable. And help to change it.” - Ernst Fischer

Born in Austria, Ernst Fischer (1899–1972) studied philosophy before working as a newspaper editor, radio commentator, and writer; in the years after World War II he became a leading cultural commentator. His books include Art Against Ideology and The Necessity of Art.

WHEN ART AND PHOTOGRAPHY BLEND INTO ABSTRACTION

I have been wanting to do something like this for a long time. Combining original artwork with photography via a grid format. Below are my first four attempts and it has some promise that I’ll title them as Urban Abstracts #1, #2, #3 and #4 and just see where this takes me.

Materials that I may also combine to create this mixed media art format include, but are not limited to, paint (recycling old paintings), cloth, paper (collage), wood and found objects. Then once having knitted them together I may use a scanner or some digital techniques to enhance, dissolve, blur or use filters, layers etc.;…whatever helps to make this motif work, “Urban Abstract”.

Urban Abstracts - Hobart #1

Urban Abstracts - Hobart #2

Urban Abstracts - Hobart #3

Urban Abstracts - Hobart #4

Oh no!! His starting something new. I’m starving as it is. I was promised treats ages ago. This is a tragedy. This will NOT turn out well.

Thank You Mr Wouter Veldhuis

Who is Wouter? He is the latest musician who has inspired me to create a new body of works. Veldhuis is a Dutch musician who’s music champions minimal drone like compositions with elements of industrial atmospherics, bass-heavy music, occasionally ambiguous, cryptic, dark, mystifying quality and at times with a hint of gloomy ambience.

The title of these two pieces of artwork below are “Once the Search is in Progress, The Something Will Be Found” #1 and #2 comes from his album, Oblique Strategies.

So far from having heard all of Wouter Veldhuis’s albums it has been the first time for me that every piece/songs of his has had a profound effect on me regarding a “visual experience'“ to interpret sound into vision.

“Once The Search is in Progress, The Something Will Be Found” #1

“Once The Search is in Progress, The Something Will Be Found” #2

In this body of works there will be a strict pattern that will be adhered to. One, must always contain an original piece of artwork, photograph or both within my chosen grid format. Whilst working on a piece I may introduce collage as well or wherever my eyes, ears and hand takes me. And then either using a scanner and/or digital editing to complete the process from sound to vision.

It was Wassily Kandinsky who once said: “Form itself, even if completely abstract ... has its own inner sound.”

I get the feeling his happy with these two. But what about me… still waiting for my treats.

You can hear a small selection of Wouter Veldhuis songs here. Or a variety of his mixes for free on SOUNDCLOUD. Personally I prefer listening and working with his five albums listed below.

You can also listen on Deezer or Spotify should you desire.

_ | WHEN MUSIC BLENDS INTO ABSTRACTION |_


*•-:¦:-•* Sound and Vision *•-:¦:-•*

EARLY URBAN ABSTRACTS - Photography Film/Digital

The genesis of “urban abstracts” began many years ago when I was a student at the then Alexander Mackie College of Advanced Education, which later became the City Art Institute.

Very quickly during weekends and semester breaks when having camera at hand I’d walk around the suburbs near the college, Paddington, Surrey Hills and Redfern all the while my eyes were drawn not to overall visual elements, but fragments, appealing shapes, forms, negative versus positive spaces, colour and texture.

The last two images at the bottom of this post are some samples of images taken on my walks around Redfern with a old RICOH XR-1s 35mm Film Camera. .

The black and white photographs taken below are all around Surrey Hills and Redfern. At that time, I developed my own films and printed them with a Rollie 6x7 and 35mm enlarger in a darkroom. Even though this method of working brought another element in connecting with this subject it is now far more environmentally friendly than using all those toxic materials.

PORTRAIT IN A LANDSCAPE

Not sure why but have always wanted to create an artwork with this title. Below, using the method of digital pointillism are five images I created to complete this work. By squinting you can make out a portrait within the colours, except for #5. There are actually five portraits of the same sitter in this landscape.

The actual finished “Portrait in a Landscape” is the work on the right-hand side or as seen below #5. Colours were specially chosen to represent the sitter. Why sooo complicated Shane? Next question…who is the sitter? This shall remain a mystery.

Study for a Portrait in a Landscape

1st study of a portrait in a landscape.

2nd study of a portrait in a landscape.

3rd study of a portrait in a landscape.

4th study of a portrait in a landscape.

“Portrait in a Landscape” - Final artwork.

So, who is this mystery sitter. Will he do another portrait? Personally, I don’t care… still waiting for my treats you promised.

NAIDOC WEEK 2021

NAIDOC Week 2021 will be held from Sunday 4 July to Sunday 11 July. This year’s theme – Heal Country!

Lets begin with, history, truth telling, and the importance of the Uluru statement.

ULURU STATEMENT FROM THE HEART

We, gathered at the 2017 National Constitutional Convention, coming from all points of the southern sky, make this statement from the heart: Our Aboriginal and Torres Strait Islander tribes were the first sovereign Nations of the Australian continent and its adjacent islands, and possessed it under our own laws and customs. This our ancestors did, according to the reckoning of our culture, from the Creation, according to the common law from ‘time immemorial’, and according to science more than 60,000 years ago. This sovereignty is a spiritual notion: the ancestral tie between the land, or ‘mother nature’, and the Aboriginal and Torres Strait Islander peoples who were born therefrom, remain attached thereto, and must one day return thither to be united with our ancestors. This link is the basis of the ownership of the soil, or better, of sovereignty. It has never been ceded or extinguished, and co-exists with the sovereignty of the Crown. How could it be otherwise? That peoples possessed a land for sixty millennia and this sacred link disappears from world history in merely the last two hundred years. With substantive constitutional change and structural reform, we believe this ancient sovereignty can shine through as a fuller expression of Australia’s nationhood. Proportionally, we are the most incarcerated people on the planet. We are not an innately criminal people. Our children are aliened from their families at unprecedented rates. This cannot be because we have no love for them. And our youth languish in detention in obscene numbers. They should be our hope for the future. These dimensions of our crisis tell plainly the structural nature of our problem. This is the torment of our powerlessness. We seek constitutional reforms to empower our people and take a rightful place in our own country. When we have power over our destiny our children will flourish. They will walk in two worlds and their culture will be a gift to their country. We call for the establishment of a First Nations Voice enshrined in the Constitution. Makarrata is the culmination of our agenda: the coming together after a struggle. It captures our aspirations for a fair and truthful relationship with the people of Australia and a better future for our children based on justice and self-determination. We seek a Makarrata Commission to supervise a process of agreement-making between governments and First Nations and truth-telling about our history. In 1967 we were counted, in 2017 we seek to be heard. We leave base camp and start our trek across this vast country. We invite you to walk with us in a movement of the Australian people for a better future.

NAIDOC Week 2021 - Digital Artwork by SG

In Search of Piet the Minimalist

As the title implies I’m in search of my minimalism take on Piet Mondrian’s art. Piet is known for being one of the pioneers of 20th-century abstract art, as he changed his artistic direction from figurative painting to an increasingly abstract style, until he reached a point where his artistic vocabulary was reduced to simple geometric elements.

Should add that my exploration in finding my inner minimalism in search of Piet is very much a playful tongue in cheek investigation. Having fun in the sandpit via colours, shapes and lines. The three images below are my first attempt in digital art.

In Search of Piet the Minimalist #1

Quote by Piet Mondrian “To approach the spiritual in art, one will make as little use as possible of reality, because reality is opposed to the spiritual”.

In Search of Piet the Minimalist #2

In Search of Piet the Minimalist #3

The truly modern artist is aware of abstraction in an emotion of beauty. - Piet Mondrian

Source of above video, YouTube: https://youtu.be/1x8m-7N-Kjo

Will he find Piet? Does it really matter? I’m hungry.